CAA in New York
January 19, 2011 § Leave a Comment
The 2011 College Art Association conference takes place in New York, February 9-12, at the Hilton New York. The following sessions may be of particular interest for researchers in British art:
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Historians of British Art: Seeing through the Medium
Thursday, February 10, 12:30–2:00; Sutton Parlor South, 2nd Floor, Hilton New York
Chairs: Imogen Hart (Yale Center for British Art) and Catherine Roach (Cornell University)
Holly Shaffer (Yale University), “Ta’ziyeh: Reference and Resemblance in North Indian Ephemeral Shrines, 1770-1830″
Andrew Stephenson (University of East London), “Ciné-Texts: The Permeability of Modern Art, Film, and Snapshot Cultures in 1920s-1930s London”
Elyse Speaks (University of Notre Dame), “Dissolution, Disillusion, and Deflation: Damien Hirst’s Double Act”
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Historians of British Art: Young Scholars Session
Friday, February 11, 7:30-9:00am; Bryant Suite, 2nd Floor, Hilton New York
Chair: Colette Crossman (Blanton Museum of Art, University of Texas at Austin)
Amanda Lahikainen (Brown University), “‘British Asignats’: Satirical Representation and the Politicization of Paper Currency in 1797”
Keren Hammerschlag (King’s College London), “Artistic Scientists and Scientific Artists at the British Royal Academy 1860-1900”
Emily V. Davis (Virginia Commonwealth University), “British Literary Periodicals Transform the Female Form in Turn-of-the-Century Glasgow”
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Historians of British Art: Radical Neo: The Past in the Present in British Art and Design
Saturday, February 12, 9:30–12:00; Bryant Suite, 2nd Floor, Hilton New York
Chairs: Jason Rosenfeld (Marymount Manhattan College) and Tim Barringer (Yale University)
Zirwat Chowdhury (Northwestern University), “The Elephanta in the Room: Indian Antiquity and British Antiquarianism in the Late Eighteenth Century
Ayla Lepine (Courtauld Institute of Art), “Manifesting the Rule: Designing for Monasticism in Victorian Oxford”
Katherine Faulkner (Courtauld Institute of Art), “Domestic Dreams and Utopian Idylls: Medieval Dress in the Work of William Reynolds-Stephens”
Lee Hallman (The Graduate Center, City University of New York), “Unseen Landscapes: Paul Nash and the Geography of History”
Mark A. Cheetham (University of Toronto), “Yinka Shonibare’s Enlightenment: Revising British Art for the Twenty-First Century”
Tagged: Cinema, College Art Association, Conference, Damien Hirst, Enlightenment, Glasgow, Indian Antiquity, Indian Shrines, Paul Nash, Royal Academy, Satire, Yinka Shonibare