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		<title>British Art Research</title>
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		<title>Workshop: Feminist Object(ive)s: Writing Feminist Art Histories</title>
		<link>http://britishartresearch.wordpress.com/2013/05/14/workshop-feminist-objectives-writing-feminist-art-histories/</link>
		<comments>http://britishartresearch.wordpress.com/2013/05/14/workshop-feminist-objectives-writing-feminist-art-histories/#comments</comments>
		<pubDate>Tue, 14 May 2013 19:34:24 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Research]]></category>
		<category><![CDATA[Seminar]]></category>
		<category><![CDATA[Symposium]]></category>
		<category><![CDATA[Talk]]></category>
		<category><![CDATA[Workshop]]></category>
		<category><![CDATA[Art Writing]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Feminism]]></category>
		<category><![CDATA[Methodologies]]></category>
		<category><![CDATA[Research practice]]></category>
		<category><![CDATA[Twentieth Century]]></category>
		<category><![CDATA[Twenty-First Century]]></category>

		<guid isPermaLink="false">http://britishartresearch.wordpress.com/?p=3587</guid>
		<description><![CDATA[University of York, 21st May 2013, 12.00 &#8211; 7.00pm This event, hosted by the Centre for Modern Studies at the University of York, will explore the aims, challenges and complications of writing art histories from a feminist standpoint, considering feminist methodologies, encounters with feminist art and culture, and working with women artists, as well as [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3587&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Seminar: Visualising the Bible in the Nineteenth Century</title>
		<link>http://britishartresearch.wordpress.com/2013/05/14/seminar-visualising-the-bible-in-the-nineteenth-century/</link>
		<comments>http://britishartresearch.wordpress.com/2013/05/14/seminar-visualising-the-bible-in-the-nineteenth-century/#comments</comments>
		<pubDate>Tue, 14 May 2013 19:25:45 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Seminar]]></category>
		<category><![CDATA[Symposium]]></category>
		<category><![CDATA[Talk]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Workshop]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Long Nineteenth Century]]></category>
		<category><![CDATA[Narrative]]></category>
		<category><![CDATA[Nineteenth Century]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Textiles]]></category>
		<category><![CDATA[The Bible]]></category>
		<category><![CDATA[Victorian]]></category>

		<guid isPermaLink="false">http://britishartresearch.wordpress.com/?p=3581</guid>
		<description><![CDATA[Thursday 13th June 2013, CRASSH, University of Cambridge, 9.30am &#8211; 5.30pm Speakers:, Michaela Giebelhausen (Essex), Colin Cruise (Aberystwyth), Ayla Lepine (Yale/Courtauld), Claire Jones (York ) What is the artist&#8217;s role &#8211; and responsibility &#8211; in visually interpreting the Bible? How did this change in nineteenth-century Britain, when the stability of scripture was increasingly uncertain? How [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3581&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Seminar: Tate British Art Research Network &#8211; First World War</title>
		<link>http://britishartresearch.wordpress.com/2013/05/08/seminar-tate-british-art-research-network-first-world-war/</link>
		<comments>http://britishartresearch.wordpress.com/2013/05/08/seminar-tate-british-art-research-network-first-world-war/#comments</comments>
		<pubDate>Wed, 08 May 2013 20:51:46 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Colloquium]]></category>
		<category><![CDATA[Opportunity]]></category>
		<category><![CDATA[Project]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[Seminar]]></category>
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		<category><![CDATA[Talk]]></category>
		<category><![CDATA[Website]]></category>
		<category><![CDATA[Workshop]]></category>
		<category><![CDATA[British Art Network]]></category>
		<category><![CDATA[First World War]]></category>
		<category><![CDATA[Imperial War Museum]]></category>
		<category><![CDATA[Network]]></category>
		<category><![CDATA[Resource]]></category>
		<category><![CDATA[tate]]></category>

		<guid isPermaLink="false">http://britishartresearch.wordpress.com/?p=3578</guid>
		<description><![CDATA[Friday 19th April 2013, Tate Britain This is a one-day seminar on British art and the First World War at Tate Britain for members of the British Art Network. The British Art Network is a new resource and community organised by Tate &#8211; you can find more information and how to register here. The first British [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3578&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Banking at 4000 Feet 1917 by Christopher Richard Wynne Nevinson 1889-1946</media:title>
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		<title>Exhibition: The Independent Group at the ICA</title>
		<link>http://britishartresearch.wordpress.com/2013/05/08/exhibition-the-independent-group-at-the-ica/</link>
		<comments>http://britishartresearch.wordpress.com/2013/05/08/exhibition-the-independent-group-at-the-ica/#comments</comments>
		<pubDate>Wed, 08 May 2013 20:42:37 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Display]]></category>
		<category><![CDATA[Brutalism]]></category>
		<category><![CDATA[Exhibition histories]]></category>
		<category><![CDATA[ICA]]></category>
		<category><![CDATA[Independent Group]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Twentieth Century]]></category>

		<guid isPermaLink="false">http://britishartresearch.wordpress.com/?p=3574</guid>
		<description><![CDATA[Until 9th June 2013, Institute of Contemporary Art, London To coincide with the 60th anniversary of the ground-breaking exhibition Parallel of Life &#38; Art, this display presents original art works by the Independent Group in the Fox Reading Room. The Independent Group met at the original ICA in Dover Street from 1952-5 and comprised architects [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3574&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Nigel Henderson, Shattered Glass, 1961</media:title>
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		<title>Exhibition: R. B. Kitaj &#8211; Obsessions</title>
		<link>http://britishartresearch.wordpress.com/2013/05/08/exhibition-r-b-kitaj-obsessions/</link>
		<comments>http://britishartresearch.wordpress.com/2013/05/08/exhibition-r-b-kitaj-obsessions/#comments</comments>
		<pubDate>Wed, 08 May 2013 20:37:48 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Display]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[David Hockney]]></category>
		<category><![CDATA[Expressionism]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Pallant House Gallery]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[R. B. Kitaj]]></category>
		<category><![CDATA[Twentieth Century]]></category>

		<guid isPermaLink="false">http://britishartresearch.wordpress.com/?p=3570</guid>
		<description><![CDATA[Until 16th June 2013, Pallant House Gallery, Chichester This exhibition at Pallant House Gallery, subtitled ‘Analyst for Our Time’, will feature over 70 major paintings, sketches and prints presenting an overview of all periods of Kitaj&#8217;s extensive oeuvre from the 1960s to his death in 2007. It will consider Kitaj&#8217;s early presentations of a fragmented [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3570&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Conference: The End of an Era? New Perspectives on Edwardian Art</title>
		<link>http://britishartresearch.wordpress.com/2013/05/08/conference-the-end-of-an-era-new-perspectives-on-edwardian-art/</link>
		<comments>http://britishartresearch.wordpress.com/2013/05/08/conference-the-end-of-an-era-new-perspectives-on-edwardian-art/#comments</comments>
		<pubDate>Wed, 08 May 2013 20:31:31 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Conference]]></category>
		<category><![CDATA[Display]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Lecture]]></category>
		<category><![CDATA[Symposium]]></category>
		<category><![CDATA[Edwardian]]></category>
		<category><![CDATA[Nineteenth Century]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Twentieth Century]]></category>
		<category><![CDATA[WWI]]></category>
		<category><![CDATA[Yale Centre for British Art]]></category>

		<guid isPermaLink="false">http://britishartresearch.wordpress.com/?p=3566</guid>
		<description><![CDATA[Friday, May 10, 2013, 5:30 pm–7:30 pm, and Saturday, May 11, 2013, 9:30 am–5:45 pm , Yale Centre for British Art, New Haven Keynote Lecture: The Rhythm of Time in the Arts of Edwardian Britain, Angus Trumble, Senior Curator of Paintings and Sculpture, Yale Center for British Art This international symposium coincides with the Center’s major [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3566&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Call for Papers: The Varied Roles of the Amateur in Early Modern Europe</title>
		<link>http://britishartresearch.wordpress.com/2013/05/08/call-for-papers-the-varied-roles-of-the-amateur-in-early-modern-europe/</link>
		<comments>http://britishartresearch.wordpress.com/2013/05/08/call-for-papers-the-varied-roles-of-the-amateur-in-early-modern-europe/#comments</comments>
		<pubDate>Wed, 08 May 2013 09:22:46 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Call for Papers]]></category>

		<guid isPermaLink="false">http://britishartresearch.wordpress.com/?p=3564</guid>
		<description><![CDATA[New York, RSA, March 27 - 29, 2014, Deadline: Jun 1, 2013 A central identity in early modern Europe for fashioning one’s self as a participant in sociability and public-building was the lover (liefhebber/es, Liebhaber/in, amator, amatore/amatrice, un/une amateur). Currently the liefhebber or amateur is usually considered from the perspective of the history of connoiseurship in art. However, [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3564&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Tate Britain: Looking at the View</title>
		<link>http://britishartresearch.wordpress.com/2013/05/02/tate-britain-looking-at-the-view/</link>
		<comments>http://britishartresearch.wordpress.com/2013/05/02/tate-britain-looking-at-the-view/#comments</comments>
		<pubDate>Thu, 02 May 2013 22:11:53 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Display]]></category>
		<category><![CDATA[British Artists]]></category>
		<category><![CDATA[British Landscape]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[Early Modern]]></category>
		<category><![CDATA[Eighteenth Century]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Looking at the View]]></category>
		<category><![CDATA[Nineteenth Century]]></category>
		<category><![CDATA[Tate Britain]]></category>
		<category><![CDATA[Tracy Emin]]></category>
		<category><![CDATA[Turner]]></category>
		<category><![CDATA[Twentieth Century]]></category>
		<category><![CDATA[Twenty-First Century]]></category>

		<guid isPermaLink="false">http://britishartresearch.wordpress.com/?p=3560</guid>
		<description><![CDATA[Until 2 June 2013 This thematic display looks at continuities in the way artists have framed our vision of the landscape over the last 300 years. Coinciding with the re-opening of all Tate Britain’s galleries, the selection finds surprising coincidences and remarkable affinities in the way we look at the view, whether near or afar, high [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3560&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">After Lunch 1975 by Patrick Caulfield 1936-2005</media:title>
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		<title>Symposium &#8211; Neo-Victorian Villainy: Adaptation and Reinvention on Page, Stage and Screen</title>
		<link>http://britishartresearch.wordpress.com/2013/05/02/symposium-neo-victorian-villainy-adaptation-and-reinvention-on-page-stage-and-screen/</link>
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		<pubDate>Thu, 02 May 2013 20:13:26 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Symposium]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Long Nineteenth Century]]></category>
		<category><![CDATA[Neo-Victorian]]></category>
		<category><![CDATA[Nineteenth Century]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[University of York]]></category>
		<category><![CDATA[Victorian]]></category>
		<category><![CDATA[Villains]]></category>

		<guid isPermaLink="false">http://britishartresearch.wordpress.com/?p=3556</guid>
		<description><![CDATA[Department of Theatre, Film and Television: University of York, Saturday May 25th 2013 Registration is now open for this one-day symposium. The event aims to facilitate cross-disciplinary discussion between scholars in Film, Theatre, Television, Neo-Victorian Studies, Literature, Adaptation Studies, and Fan and Popular Culture Studies. At its heart is the research question: In what ways do modern representations [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3556&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Villain</media:title>
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		<title>Colloquium: Early Modern Approaches to the Imagination</title>
		<link>http://britishartresearch.wordpress.com/2013/05/02/colloquium-early-modern-approaches-to-the-imagination/</link>
		<comments>http://britishartresearch.wordpress.com/2013/05/02/colloquium-early-modern-approaches-to-the-imagination/#comments</comments>
		<pubDate>Thu, 02 May 2013 20:01:46 +0000</pubDate>
		<dc:creator>britishartresearch</dc:creator>
				<category><![CDATA[Colloquium]]></category>
		<category><![CDATA[Dreams]]></category>
		<category><![CDATA[Early Modern]]></category>
		<category><![CDATA[Eighteenth Century]]></category>
		<category><![CDATA[Health]]></category>
		<category><![CDATA[Imagination]]></category>
		<category><![CDATA[Long Eighteenth Century]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[seventeenth century]]></category>
		<category><![CDATA[University of Warwick]]></category>

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		<description><![CDATA[University of Warwick, 17th July 2013 This one day interdisciplinary colloquium seeks to bring together scholars working on literature, history, and philosophy to examine early modern ideas about imagination in various, overlapping spheres. Cultural discourses shaping ideas about the imagination were extremely diverse in the early modern period. Aristotelian, Neoplatonic, and Galenic theories persisted in influencing concepts [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=britishartresearch.wordpress.com&#038;blog=19033281&#038;post=3552&#038;subd=britishartresearch&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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